Tip Toland sculptures bring up questions of cultural voyeurism
By Kaiya Gordon /// Features Editor If you’ve been to the top floor of the Portland Art Museum lately, you’ve seen them—tremendous ceramic busts, larger-than-life (one figure, a reclining female designed to be representative of “Mother Africa” is twice-life-size, in fact), gazing at museum-goers through blue, milky eyes. The sculptures, created by Seattle artist Tip
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